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A further section deals head-on with those who will ‘Go fish,’ by making accusations of copying the second they see something they think they recognize—he’s suffered from that. Readings and misreadings dangerously depend on who’s looking, he argues. “It’s bigger than ‘What’s ours’? This isn’t a science fair. It’s culture!”It dovetails into the art-heist sub-narrative of film—the poetic, powerful multi-disciplinary piece made entirely by the diverse crew of talents Abloh has brought to work at Vuitton. Its theme, shot between a gallery-like space and Swiss mountains, is based on James Baldwin’s 1953 essay “Stranger in the Village,” the writer’s reflections of how it felt to be looked at in the midst of white culture as a Black American artist in Switzerland.It’s beautiful, the clothes are great and they will doubtless trigger even more fandom for Abloh’s Louis Vuitton menswear, even amidst the pandemic. As for stepping up to make a bigger statement with fashion in this critically sensitive moment of change? Well, he says: “I have a responsibility. We said we want diversity, didn’t we say that in 2020? Making change means making these changes. I don’t want to look back and say I turned a blind eye. But you know,” he concludes, “I’m an optimist. The future is yet to be decided.”
The multi-level consciousness, and his ambition to educate, include, and create aspiration is down-to-earth in one direction, and high-flown in many others. “Tourist vs. Purist,” the slogan he wrote when he entered Louis Vuitton in 2018 returned on bags this season. “It’s my organizing principle for my point of view when I make things. A tourist is someone who’s eager to learn, who wants to see the Eiffel Tower when they come to Paris. The purist is the person who knows everything about everything.” Abloh exerts his positionality as both—the outsider who became the insider; the man with the power to bring young people with him into the former exclusion zone of high fashion.Part of that is his challenge to the supposed ownership of ideas, art, culture. “Everyday objects—who invented our everyday objects?” At one tangent, that’s a retort to ‘purist’ critics who looked down on Abloh’s importation of generic ‘streetwear’ into high fashion. At a deeper, sharper edge lies the culpability of Eurocentric art and fashion for centuries of stealing from heritages that did not belong to them, and the erasures that stemmed from that. It “Begs the question of who can claim creation? Provenance is reality, while ownership is myth,” go his notes.
Luke Meier designs what is on his mind. And what’s been on his mind lately is “recent ancient history.” Anyone who loves vinyls, or is still hanging onto VCR and cassette tapes, will immediately relate.Not that he is heavy-handed about it—quite the contrary. One case in point is a compelling layered look featuring watercolor green silk organza printed with a vintage botanical plate and a black-and-white photo of a polar bear. Meier explained that it was made using cyanotype, a blueprint-like process that produces a ghostly effect. “It’s dystopian, but that’s really what’s on everyone’s mind,” he explained matter-of-factly.“We’re in a moment of momentous change. If we can manage to be positive in this moment, you can see where the turning points are.” So he’s holding onto optimism while also taking a cue from Robert Rauschenberg. The theme of collage and assemblage returned on what the designer calls “a suit without a jacket”: a tailored shirt with a black-and-white flower and straight, fluid trousers with a zip opening at the hem.Meier likes taking noble materials and loosening them up a bit. Sharp coats and jackets had off-center zippers instead of buttons. A shirt in diagonal jacquard was, he said, a reference to recent-ancient history we no longer even consider: TV static.
Product detail for this product:
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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