This is our best seller for a reason. Relaxed, tailored and ultra-comfortable, you’ll love the way you look in this durable, reliable classic 100% pre-shrunk cotton (heather gray color is 90% cotton/10% polyester, light heather gray is 98% cotton/2% polyester, heather black is 50% cotton/50% polyester) | Fabric Weight: 5.0 oz (mid-weight) Tip: Buying 2 products or more at the same time will save you quite a lot on shipping fees. You can gift it for mom dad papa mommy daddy mama boyfriend girlfriend grandpa grandma grandfather grandmother husband wife family teacher Its also casual enough to wear for working out shopping running jogging hiking biking or hanging out with friends Unique design personalized design for Valentines day St Patricks day Mothers day Fathers day Birthday More info 53 oz ? pre-shrunk cotton Double-needle stitched neckline bottom hem and sleeves Quarter turned Seven-eighths inch seamless collar Shoulder-to-shoulder taping
If you love this shirt, please click on the link to buy it now: https://nicefrogtees.com/product/hate-has-no-home-here-strong-nurse-life-anti-hate-support-shirt/
A scary character walking in with the “police” was wearing a shirt, a tie stamped with a Global Mind Fuck logo, a conference sticker reading “Hello I am Capitalism,” and a MAGA cap. Wait, no, a red baseball cap with For Rent embroidered on it. Rent? Large For Rent signs appeared on the backs of jackets, too. What did that signify? All the things you can imagine when you see it, about the desperation of a generation willing to do anything to get paid or the hollowed-out husks of men with no moral scruples about moving capital around. Along the way, the root of all evil itself popped up, too, stamped on T-shirts in the form of dollar bills with redesigned text that read: “I Am the Piece of Paper That Controls Your Entire Life.” Gvasalia had explained earlier that the uniforms were based on Russian police wear. “I love uniforms. We wanted to design a Vetements uniform and kind of try to meme it into fashion.” Well, is mimicking the guises of a system with a few savage twists and puns a way of getting under its skin? Gvasalia remembers turning up at an event as a student, “something I knew [I] had no real hope of getting into,” but he was wearing a piece of a secondhand uniform, and found people stepping aside to wave him in. “Because they assumed I was a security guard.” That’s amusing. But can Gvasalia have it both ways: participating in the novelty-driven production cycle of the fashion industry, while criticizing it? At the beginning of Vetements, the idea of using the preexisting led to recycling jeans, cutting pieces from many sources into one. That’s still going on at Vetements, by the look of it. Plus the mounded-up print collaged dresses another Gvasalia signature really are made from leftover Vetements fabrics. The For Rent signs, he said, also posed the question about ownership of clothes “in the future.” Well, that’s already happening out there. How meta would it be if Vetements fans end up renting Vetements For Hire clothes? He wasn’t making any claims to be completely committing to the circular economy. Yet. But surely that will come for Vetements and everyone a change forced on brands by youthful followers who increasingly choose to place their dollars with ethical operators. Looking at this I realized that spending does not directly cause a change in the level of wealth. It is only the net production of wealth that affects the level of wealth. And even though spending and the economic activity it promotes can lead to the production of wealth, a given amount of spending and income does not absolutely or uniquely determine the amount of net production that occurs.
There were a lot of shower-cap–frilled lizard attachments in plastic sheeting or built into sheer, sometimes rainbow-toned jackets, plus some dramatically angular outerwear and quilted tailoring. The peppy-color silk shirting, leggings (really), and bodystockings sometimes seem transported less from an alien dimension than the race track or vaudeville but suited most of all for a batshit-crazy dance party. The fishnets, devil-horned parka, and gimp mask were more than a nod and a wink to other off-the-dance-floor delights. Say you’re a tourist in Paris, sitting in the McDonald’s in the Champs Élysées and a policeman suddenly storms in. You’d be frightened, right? Police inaction is a common enough sight on the Champs Élysées, what with it being one of the regularly chosen sites for the Gilets Jaunes weekend anti-government rioting. But no. This wasn’t the weekend; it was the opening of the Vetements takeover of the capital’s biggest McDonald’s branch. But a shock, nevertheless especially because the models appeared through the front door, from a truck parked on the street. Demna Gvasalia is playing dangerously close to the narrow distinction between dystopian satire and reality this season. The “menu” for the fashion sitting was stamped in black on McDonald’s napkins. Capitalism and Global Mind Fuck were two of the “courses.” Later on the word Bose, with (Angry in German) as a translation. Messing with corporate logos and the signifiers of generic clothing have always been central to Vetements’s methods. It plays ever more directly now into the agenda of critiquing the crumbling social decay of late-stage capitalism a direction Raf Simons seemed to be pointing toward in his menswear show, as well. With Vetements, fingers of sarcastic blame are liberally jabbed at corporate managers and bankers, at populism, the internet, at the tide of waste caused by the fashion industry’s relentlessly profit-driven overproduction. In a way, there was a form of circularity going on here at McDonald’s. A very personal one, linking Gvasalia back to his childhood. “When the Soviet Union ended in Georgia when we were kids, the first thing to open that came from the West was McDonald’s,” he said. “It was like the maker of capitalism, and all the rich people from all around would bring their kids for birthday parties. It was like the place to be! We’d never seen a Big Mac or drank a Coke. I always wanted to be able to have my own celebration in McDonald’s. And now—I can!”
Despite being a label so linked to the outdoors, White Mountaineering’s Paris shows have only ever taken place indoors, which always felt a little incongruous. Today, the covered-yet-open-air terrace of a Sorbonne University building was a game-changer; what a difference a breeze makes! The models didn’t need to be trail running or BMX biking two of the extreme sports that inspired Yosuke Aizawa this season for the audience to imagine guys wearing his high-impact looks off the runway. The Tokyo-based designer explained that he imbues pieces with a “discord ambiance,” which might mean anything from a T-shirt boasting overlaid letters spelling nothing to Gore-Tex outerwear paired with linen pants. These “coincidences,” as he also called them, were a way of integrating pieces that wouldn’t normally be found in either athletic attire or streetwear think classic shirting adapted with technical straps and pleated shorts that looked more like skorts. Aizawa goes through phases of favoring bold prints, and today’s lush and color-saturated botanicals might have been his boldest yet. If common sense would suggest these have limited interest, the designer has pointed out before that people are very happy to experiment beyond black (although those pieces too were hardly boring). Plaid, animal spots, paisley, and painterly camo made for a particularly dynamic lineup of active eccentrics guys who not only sported next-level sneaker designs, but also a smear of colorful eye makeup. Compared to the Sacai show earlier in the day, White Mountaineering isn’t perceived with the same cachet despite many overlapping elements (both mastered their soundtracks, it should be said). Make no mistake, Aizawa’s vision is his own and if athleisure trends start to shift towards these dandy-ish mash-ups, we’ll have him to thank. Walter Van Beirendonck called the clothes in this showing of kinky sportswear deluxe “Alien Vintage” and said that the collection was designed to attire his fantasy community of extraterrestrials. As he mused in his notes: “I pictured being introduced to a small part of the alien folk, a community with such a limitless diversity of forms and looks.” Those forms included four-armed biped, as evinced by outfits with two extra sleeves below the armpit, and aliens with fearsomely hunky quads as per the cool gathered baggy pants in primary-color nylon.
Product detail for this product:
Fashion field involves the best minds to carefully craft the design. The t-shirt industry is a very competitive field and involves many risks. The cost per t-shirt varies proportionally to the total quantity of t-shirts. We are manufacturing exceptional-quality t-shirts at a very competitive price. We use only the best DTG printers available to produce the finest-quality images possible that won’t wash out of the shirts. Custom orders are always welcome. We can customize all of our designs to your needs! Please feel free to contact us if you have any questions. We accept all major credit cards (Visa, Mastercard, American Express, Discover), PayPal, or prepayment by Check, Money Order, or Bank Wire. For schools, universities, and government organizations, we accept purchase orders and prepayment by check
Vist our store at: https://nicefrogtees.com
This product belong to hieu-vu